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733667-001-011-0118
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This document outlines the guidelines and criteria for digitizing still images as part of the Federal Agencies Digitization Initiative. It emphasizes the importance of establishing quantitative metrics for image quality and provides a taxonomy for evaluating digital imaging performance.
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Digital ImagingDigitization GuidelinesImage Quality Evaluation Cultural HeritageDigitizationImaging Science
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Federal Agencies Digitization Initiative Still Image Working Group — August 2010
Future work of the Still Image Working Group will rely on the information in these tables to establish quantitative
guidelines using the described derivative metrics and evaluation criteria. The actual values that will be inserted into
specific imaging guidelines will depend on the content to be digitized and the objectives for digitization.
Graphical symbols used in the row labeled “Evaluative Criteria (wnits)” indicate Primary, Secondary and Tertiary
measures (see tables below).
These have meaning both across and within metrics. Across the metrics or image characteristics, they indicate the
relative importance as a factor of image quality; from the highest (Primary) to the lowest (Tertiary).
The same concept applies within the measurement for a given metric. Taking SFR as an example, Max SFR gain is
suggested as the Primary Measure under Sharpening, and Sign of SFR slope as a Secondary Measure. There are
also two additional informational tiers included in the table. One of these provides a listing of related descriptive
terms that may be more commonly known to users. The bottom-most tier provides a list of possible causes of failure
related to a particular metric.
A a short primer and overview on imaging science is available as a Powerpoint at
http://digitizationguidelines.gov/stillimages/presentations.html
Part 1 - Taxonomy of Digital Imaging Performance
See subsequent pages for information on
definitions, candidate evaluation criteria, related descriptive terms, and failure causes
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* While imaging noise is generally considered to be of a random or stochastic granular nature (e.g., photographic film grain), it can actually take
many forms. We have chosen to categorize it in both by its deterministic and stochastic behaviors.
Technical Guidelines for Digitizing Cultural Heritage Materials: Creation of Raster Image Master Files 8